Small

If you asked me about my favorite place to take photos,

I would probably tell you

 





it's wherever I feel small.

Lucky for me,

 





that's quite a lot of places.

My camera helps me take it all in.

Observe scale.

See more details.

View from a variety of perspectives.

But most of all, stand in awe and wonder.

Today I am feeling small in a different place, in the middle of the Bible where Jesus is shining his light on some of the mysteries of God.  I'm supposed to teach it, but I can't even begin to take it all in.  At first my small feels like inadequacy, not in a good way.  But I sense this invitation from Him to be just as captivated and grateful as I would in the wilderness of creation. It's a moment to slow down in my study, look hard, and stand in awe and wonder. Then maybe my snapshot will help someone else want to venture in deeper too.

"Spirit of God

draw praises from us

here in this cathedral of creation

beneath this starry dome.

Awaken our adoration 

in this place where 

we are so very small--

and yet so greatly loved."

 ~Douglas McKelvey

"Every Moment Holy"

Invitation to Delight

Lee and I just got back from a little getaway to St. Louis.
Our teenagers have been at camp,
and we took advantage of some wonderful time together.
All along the way there was beauty of every imaginable kind.
There was God-made beauty.
And man-made beauty.
And the kind of beauty that can only be made
when people work hand in hand
with the creative God who made them in his own image.



There were animals, perfectly designed for their unique ways of life.





There we were, right in the middle of them, laughing.
Just the way I can only imagine that God laughed when he created them
(and probably when he created us!).
And when he watched us laughing, interacting with his other creatures.





There was lots of art.
But I was really taken by this Little Dancer of Degas'.
I imagined God watching Degas create, and thinking back to when he created Degas.
The same God who created me.
I thought, Isn't she breathtaking?
And I realized God said the same thing when he created each and every one of us.

There was the city itself, with all of her history and architecture.

Each building with stories of the people who made bold moves,

or big investments.

Not all of which turned out well.

For this world is tended by all kinds of people, meant for beautiful stories,

but not everyone pursues the sort of story God dreamt of when he made us.

We saw all kinds of architecture,

all built to connect the occupants to the land and surroundings.

We explored a small town, known for its stories of mischievous boys

who were unlikely messengers of the truth that everyone is created with value

that is way more than skin deep.

We saw all kinds of plants...

and homes of people who have made a life of tending plants,

plants that provide our very sustenance.

People everywhere, harnessing and using God's resources

to live and create beauty.

Recently, our Photo 52 theme was "Photographer's muse: What inspires you?"

This is it.

It's all this variety of life, sourced by a creative God

who invites us to enjoy and cultivate it right along with him.

It's awe inspiring.  HE's awe inspiring.

And the thing is--this is nothing out of the ordinary.

Beautiful life is happening right around us, all the time, if we simply open our eyes.

Every moment of every day, God is issuing us the invitation

to delight with him, to delight IN him, and in his creation.

Lord, our Lord,

how majestic is your name in all the earth!

You have set your glory in the heavens.

Through the praise of children and infants

you have established a stronghold against your enemies

to silence the foe and the avenger.

When I consider your heavens, the work of your fingers,

the moon and the stars, which you have set in place,

what is mankind that you are mindful of them,

human beings that you care for them?

You have made them a little lower that the angels

and crowned them with glory and honor.

You made them rulers over the works of your hands;

you put everything under their feet:

all flocks and herds, and the animals of the wild,

the birds in the sky, and the fish in the sea,

all that swim the paths of the seas.

Lord, our Lord,

how majestic is your name in all the earth!

Psalm 8

Live and Learn (a fireworks photography faux pas--and the fix!)

I just have to tell you--

when we watch fireworks, photography is not the main thing.  At all.

When you are lucky enough to have a fireworks tradition,

you've gotta go with the flow and just enjoy it together.

Even so, I try to brush up on the basics before we head out.

I showed up with my camera and tripod.

I knew I could keep my ISO low because fireworks are bright.  I guessed at 400.

I knew a middle range aperture would offer the best detail and color.  I guessed at f/8.

I decided to use a polarizing filter to darken it up so I could leave the shutter open a little longer. 

I glanced at a couple of images very briefly and settled at 1.6 seconds for what appeared to be a good exposure.

I set my shutter to a 2 second timer so I wouldn't move the camera when I pressed the shutter.

On the way over I reminded myself to set my focus and then flip it to manual focus,

and also to turn off VC (vibration compensation, a.k.a. image stabilization)…

…but I forgot.

Well, I remembered the focus part.

But that vibration compensation--

if it doesn't find any vibration to counteract, well, it manufactures some.

I mean squiggles can be kind of cute, but not EXACTLY the look I was going for!

About 2/3 of the way through, I remembered no VC, and voila!!

Note to self:  see how the movement is chopped off?

A slower shutter might be good.

Next year?

ISO 100

Aperture f/10-12

Slower shutter.  See what happens.

Sometimes it's nice when you can make a mistake and then correct it

for the sake of comparison.
I mean, who really sets out to mess up their fireworks pictures?
So I did it for you.
You're welcome.

Now will someone remind me to read this next year before the fireworks?

Take me out to the ballgame! (a plea from your camera, part 2)

In Part 1 we discussed how to be in position to take great photos of baseball and softball.  This time we will discuss what you need to know to get your camera to give you the best quality photos.

1.  Focus

If you aren't sure that you know how to focus your camera, chances are you don't!  You MUST if you are going capture the action at the ball game.  Here is a tutorial I did to help explain how to be deliberate about achieving proper focus.  There are many good tutorials out there, but the most important source of information for you is your own camera manual.  Find.  Read.  Really!  Once you know how to focus,

2.  Decide how you want to play the fence.

Unless you are seated in the outfield, you most likely have a fence between you and your subject.  If you don't, find one, because you and your camera are in danger.  Photographers have differing opinions about the fence.  Some will suggest that you try to find a way to work around it, like maybe peering around the door next to the dugout, or sitting just beyond the infield where the fence ends.  I don't happen to feel that way, because the fence is a very real part of my perspective on life during the summer months.  I love to have an understated hint of the fence texture in my photos some of the time.  Sometimes I pull my chair right up to the fence and place my lens between the links (but NOT through it) to avoid the pattern, or just use that one open square as a frame, and other times I sit back a few feet and FOCUS through the links.

Shooting through the fence works best if you use a good zoom (5x at least, preferably more), and are focused on something far away from you and the fence--the pitcher or beyond.  Here, Ben is playing catcher, so he is relatively close, making the fence stand out a little more--but his face is framed by the links, and I love it.

If you are planning to shoot between the links, figure out where you plan to shoot, and lock your focus (push your shutter button halfway down) on a player or base that is that distance away from you before the action begins.  For example, if you anticipate a play at second base, aim through the links with your viewfinder.  Set your focus on either the base or the second baseman by pressing halfway down, hold it there and wait for the play to happen.  If you keep holding down the shutter button, you can move your camera to capture any action that happens in or around that area--as long as the distance from you remains about the same.  There are several other options available, like manual focus, back button focus, and continuous focus, but this is a good place to start.

If you keep working at it, you will get some beautiful shots!  You will also have to delete quite a few, but it won't cost you a dime, and you will have PLENTY of opportunity to practice. (By the way, this works at the zoo, too, if you want a photo of an animal that is well beyond the fence or netting.)

3.  Use your "burst" or "continuous shooting" mode.

I sure hope you didn't put your manual away yet.  My favorite photos are pretty much always in a series, as the pitcher goes through her delivery, or when a play is unfolding.  Recently my son was involved in a play as the pitcher when he and the third baseman were trying to catch a player stealing home.  The catcher and several other players got involved until the runner was finally trapped and tagged out.

My camera is always in continuous mode, so I focused and just held the shutter down to keep firing until the play was over.  At one point I had to zoom out to get all the action, and then set my focus and start shooting again.

Notice how zooming out brought the fence back into view.  If you want to blur the fence out, you need to zoom all the way in.  However in this case, I was able to capture all the action by zooming out, and it was a very worthwhile tradeoff.

Keep shooting until the play is over and the umpire calls time!

4.  Don't forget the dugout and the fans!

When something good happens on the field, there is nothing better than having your camera ready to capture the celebration.  Don't forget that the celebrating is happening in more places than on the field.  Get the players, of course!  But then, check the joy in the dugout.  You can get both of those, and the parents will probably STILL be celebrating after that.

5.  Not all games are created equal.

When I arrive at a ball game, I typically sit down with the other families and enjoy some good conversations.  If the ball park and light are especially conducive to beautiful photos, I might go ahead and start shooting.  I keep folders of the best photos I have taken of each player, and sometimes I'm aware that I still don't have any shots of a certain player batting or base running, for example.  But if there is nothing special suggesting that this is a great opportunity, I will wait to take the camera out.  Here's why:  once you have gotten beyond T-ball, some games are games that you would prefer to forget.  I will almost always wait until our team has two runners on base with less than two outs before I take the camera out.  Then, if possible, I will position myself to photograph them running from third to home, or if not, then second to third.  I think it adds to their sense that good things are about to happen.

If there is a game with bad weather, poor lighting conditions, a lot of mistakes or frustrating calls, I tend to leave the camera put away for another day.  I also refrain from posting non-memorable moments.  If I take some great shots of a batter who, in the end, doesn't get on base through the whole game, it doesn't matter how good the photos are, the memory is a frustrating one.

6.  The details complete the story.

I don't photograph little details in every game, but each year I try to include some pictures of a bucket of balls, a cap and glove, the bats all lined up, and maybe some Gatorade and sunflower seeds.  It's all part of the package that together celebrates a year of team.  You know, the thrill of victory, the agony of defeat, but always, the joy of belonging.  Your camera wants to help you capture the story of your season.  Take it out of your bag and get started!  You'll be so glad you did.